I am both a creative and technically minded editor, working in the areas of live-action, visual effects & animation.
To date, I have worked within a number of different editorial roles and I continue to look for opportunities to enhance my career and move towards my end goal of becoming an editor.
Most recently, I finished working as the visual effects editor on The House, a three-part stop-motion series for Netflix, created and produced by Nexus Studios. Previous to that I worked as the visual effects editor on Fate: The Winx Saga, a six-part original series for Netflix.
Between 2018-2019 I worked as the visual effects editor on the BAFTA nominated sequel Shaun The Sheep Movie: Farmageddon (Studio Canal) at Aardman Animations.
Other credits from over the past few years, where I have performed in a number of different editing and editorial roles include Aladdin (Walt Disney, Dir. Guy Ritchie), Star Citizen: Squadron 42 (Cloud Imperium Games, Dir. Chris Roberts), Avengers: Age of Ultron (Marvel Studios, Dir. Joss Whedon), The Quiet Hour (Frenzy Films, Dir. Stephanie Joalland) and The Legend of Tarzan (Warner Bros, Dir. David Yates).
In 2018 I worked within visual effects editorial at Union VFX on a variety of different shows, including; Mama Mia: Here We Go Again (Universal), The King Of Thieves (Working Title), The Hustle (MGM), Cold Pursuit (Lionsgate) and The Two Popes (Netflix).
I have also edited a number of short films, most notably Shadow Boxer, which was commissioned by Soho House for their 'House Shorts' competition and sponsored by BAFTA, The Hollywood Reporter and Bombay Sapphire - to watch Shadow Boxer click here.
I am inspired by the prospect of entertaining audiences, passionate about strong and original storytelling and motivated by the ever evolving relationship between art and technology.
Please feel free to get in touch - it would be great to meet you.
+44 (0) 7960443502