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I am both a creative and technically minded editor, working in the areas of live-action, visual effects & animation.
I've recently finished as the visual effects editor on season 1 of the all new superpower show, Supacell for Netflix (Showrunner and creator, Rapman)

Previous to this I worked as the VFX editor on the hit YA Netflix fantasy show, Fate: The Winx Saga (S2).  Other recent credits include, Disney's
Disenchanted, the sequel to the 2007 movie, Enchanted. The House, an Emmy winning and BAFTA nominated feature length stop-motion movie for Netflix. Fate: The Winx Saga (S1), a six-part original series for Netflix and between 2018-2019, I worked as the visual effects editor on the Oscar and BAFTA nominated movie Shaun The Sheep Movie: Farmageddon (Studio Canal) at Aardman Animations.
Other credits where I have performed in a number of different editing and editorial roles include Aladdin (previs editor at Walt Disney Studios, Dir. Guy Ritchie), Star Citizen: Squadron 42 (lead editor at Cloud Imperium Games, Dir. Chris Roberts), Avengers: Age of Ultron (on-set performance capture editorial for Marvel Studios, Dir. Joss Whedon), The Quiet Hour (editor at Frenzy Films, Dir. Stephanie Joalland) and The Legend of Tarzan (additional assistant editor at Warner Bros, Dir. David Yates).

I have also edited a number of short films, most notably Shadow Boxer, which was commissioned by Soho House for their 'House Shorts' competition and sponsored by BAFTA, The Hollywood Reporter and Bombay Sapphire - to watch Shadow Boxer click here.

I am inspired by the prospect of entertaining audiences, passionate about strong and original storytelling and motivated by the ever evolving relationship between art and technology. As I move forward, I continue to look for opportunities to enhance my career and realise my end goal of becoming an editor.

Please feel free to get in touch - it would be great to meet you.

The VFX & Post Talent Agency
Harriet Donnington
Agency CV


+44 (0) 7960443502

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